> Kenneth Noland Images Biography Publications
KENNETH NOLAND
Pent
1966
Acrylic on canvas
63 1/2 x 190 inches
161.3 x 482.6 cm
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Born in Asheville, North Carolina, 1924
| Studied at Black Mountain College, North Carolina, 1946-48, and with Ossip Zadkins in Paris, 1948-49. Taught at the Institute of Contemporary Art, Washington D.C., 1949-51, at the Catholic University, Washington, D.C., 1951-60, and at the Washington Workshop Center of the Arts, 1952-56. Served as Milton Avery Professor of the Arts, Bard College, Annandale-on-Hudson, New York, 1985. |
| 1995 | North Carolina Awards in Fine Arts |
| 1997 | Doctor of Fine Arts honorary degree from Davidson College, Davidson, North Carolina |
| 1977 | “Kenneth Noland: A Retrospective,” Solomon R. Guggenheim Museum, New York, April 15 – June 19. |
| Traveled to Hirshhorn Museum and Sculpture Garden and the Corcoran Gallery of Art (jointly), Washington, D.C., October 1 – November 27. | |
| Toledo Museum of Art, Toledo, Ohio, January – February 26, 1978. | |
| 1982 | Visual Arts Museum, New York (handmade paper works) |
| 1983 | Duke University Museum of Art, Durham, North Carolina (handmade paper works) |
| Museo de Arte Moderno, Mexico, D.F. | |
| 1984 | University Art Museum, University of California, Berkeley |
| 1985 | Museo de Bella Artes, Bilbaõ, Spain |
| 1986 | The Butler Institute of American Art, June 20 – August 31 |
| Hunter Museum of Art, Chattanooga, Tennessee, November 9 – January 4, 1987 | |
| Artist-in-Residence, Pratt Institute, New York | |
| 1990 | Edmonton Art Gallery, Edmonton, Alberta, Canada, November 17 – January 6, 1991. |
| 1994 | The Museum of Fine Arts, Houston, “Kenneth Noland: The Circle Paintings” |
| The Museum of Fine Arts, Ft. Lauderdale, Florida, “Kenneth Noland: The Circle Paintings” | |
| 1995 | Leo Castelli Gallery, New York, “Kenneth Noland: A Selection of Paintings” |
| Gana Art Gallery, Seoul, South Korea | |
| 1996 | Mosaic Mural at the new Rome, Italy subway system located at the Central Coliseum station |
| 1998 | André Emmerich Gallery, New York, “Kenneth Noland Circles,” September 10 – October 17. |
| 1999 | Meredith Long Gallery, Houston, Texas, “Kenneth Noland” |
| Chac-Mool Gallery, Los Angeles, California, “Full Circle” | |
| Ameringer/Howard Fine Art, “Kenneth Noland: New Circle Paintings,” April 13 – May 6. | |
| Metta Gallery, Madrid, Spain, “Kenneth Noland: Encounter and Reflection,” February – August. | |
| Harmon Meek Gallery, Naples, Florida | |
| Ameringer/Howard/Yohe Fine Art, “Kenneth Noland: New Editions,” September 7 – October 13 | |
| 2002 | The Farnsworth Museum, Rockland, Maine, “Kenneth Noland: Themes and Variations,” June 30 - October 13 |
| 2003 | Ameringer & Yohe Fine Art, New York, “Kenneth Noland: Contrapuntal,” October 16 – November 22 |
| 2006 | Ameringer & Yohe Fine Art, New York, “Kenneth Noland: 360 Degrees on the Wall,” January 12 – February 11 |
| 1964 | The Tate Gallery, London, “Painting and Sculpture of a Decade, 1954-1964,” April 22 – June 28 |
| XXXII Biennale,” Venice, June 20 – October 18 | |
| 1965 | Museum of Modern Art, New York, “The Responsive Eye,” February 23 – April 25. Traveled to City Art Museum, St. Louis, Missouri, The Seattle Art Museum, Washington |
| Fogg Art Museum, Cambridge, Massachusetts, “Three American Painters: Noland, Olitski, Stella,” April 23 – May 30. Traveled to Pasadena Art Museum, California | |
| 1969 | Metropolitan Museum of Art, New York, “New York Painting and Sculpture: 1940-1970,” October 16 – February 1, 1970 |
| 1970 | Albright-Knox Gallery, Buffalo, New York, “Color and Field, 1890-1970,” September 15 – November 1 |
| 1971 | Whitney Museum of American Art, New York, “The Structure of Color,” February 25 – April 18 |
| 1973 | Des Moines Art Center, Iowa, “Twenty-Five Years of American Painiting, 1948-1973,” March 6 – April 22 |
| 1974 | Museum of Fine Arts, Dallas, Texas, “The Great Decade of American Abstraction, Modernist Art 1960-1970,” January 15 – March 10 |
| 1975 | Corcoran Gallery of Art, Washington D.C., “34th Biennial of Contemporary American Painting,” February 22 – April 6 |
| Le Berteca, Genoa, Italy “American Abstract Painting,” | |
| Museo de Bellas Artes, Caracas, “El Lenguaje del Color,” August | |
| 1976 | The Chrysler Museum, Norfolk, Virginia, “Three Hundred Years of American Art at the Chrysler Museum” |
| Visual Arts Museum, New York, “American Color: 1961-1964,” March 29 – April 21 | |
| Rheinisches Landesmuseum, Bonn, Germany, “Two Hundred Years of American Painting,” June 30 – July 28 | |
| Traveled to Museum of American Art, Belgrade, Yugoslavia, August 14 – September 11, Galleria d’Art Moderna, Rome, Italy, September 28 – October 26, National Museum of Poland, Warsaw, November 12 – December 10, Baltimore Museum of Art (at the Maryland Science Center), January 16 – February 6, Solomon R. Guggenheim Museum, New York, “Aspects of Postwar Paintings in America,” December 8 – January 12, 1977, Whitney Museum of American Art, New York, “Surface, Edge and Color,” December 8 – January 12, 1977 | |
| 1977 | United States Embassy, Ottawa, Canada “Eight Contemporary Masters” |
| 1978 | National Collection of Fine Arts, Smithsonian Institute, |
| Washington D.C., “New Ways with Paper,” December 2 – February 20 | |
| 1979 | Everson Museum of American Art, Syracuse, New York, “A Century of Ceramics in the United States, 1878-1978,” May 5 – September 23. Traveled to Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington D.C., Cooper-Hewitt Museum, New York, 1979-1980 |
| 1980 | 91 e Exposition, Societé des Artistes, Grand Palais, Paris, “L’Amerique aux Independents,” March 13 – April 13,” Fendrick Gallery, Washington D.C., “The Washington Color School Revisited: The Sixties,” September 9 – October 4 |
| Milwaukee Art Center, Wisconsin, “Washington Color Painters,” | |
| 1981 | Institute of Fine Arts, Mexico City, “Paintings from the United States from the Museums of Washington, D.C.,” November 18 – January 4, 1982 |
| 1982 | Museum of Fine Arts, Boston, “A Private Vision: Contemporary Art from the Graham Gund Collection,” February 7 – April 4 |
| American Craft Museum, New York, “Papermaking U.S.A.: History, Process, Art,” May 20 – September 26 | |
| Heath Gallery, Atlanta, Georgia, “Out of the South: An Exhibition of Works by Artists Born in the South” | |
| 1983 | Malcolm Brown Gallery, Shaker Heights, Ohio, “Early Works by Contemporary Masters,” October 21 – November 30 |
| Marilyn Pearl Gallery, New York, “American Post-War Purism” | |
| Douglas Drake Gallery, Kansas City, Missouri, “Recent Paintings by Kenneth Noland and Darby Bannard,” June 1 – 30 | |
| American Embassy, Madrid, “Arte Contemporaneo Norteamericanos: Collection of David Mirvish,” January | |
| 1985 | Museum of Modern Art, New York, “Recent Acquisitions,” February 16 – March 17 |
| The Fort Worth Art Museum, Texas, “Grand Compositions: Selections from the Collection of David Mirvish,” | |
| Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, “Contemporary Monotypes,” May 8 – July 10 | |
| Museum of Contemporary Art, Chicago, “Selections from the William J. Hokin Collections,” April 20 – June 16 | |
| Margot Levin Gallery, Los Angeles, California, “American Abstract Painting,” June 19 – August 24 | |
| 1999 | Dorothy Blau Gallery, Bay Harbor Island, Florida, “Contemporary Masters” |
| Ameringer/Howard Fine Art, New York, “Icons,” December 9 – January 22, 2000 | |
| 2000 | Ameringer/Howard Fine Art, New York, “Eye Candy: Revisiting the Museum of Modern Art’s 1965 Exhibition ‘The Responsive Eye’,” October 27 - December 2 |
| “The American Century Part II,” The Whitney Museum of American Art, New York | |
| American Embassy, Slovac Republic, “Art in America 2000” |
| Albright-Knox Art Gallery, Buffalo, New York |
| Art Institute of Chicago, Illinois |
| Australian National Gallery, Canberra |
| Baltimore Museum of Art, Maryland |
| The Butler Institute of American Art, Youngstown, Ohio |
| City Art Musem, St. Louis, Missouri |
| Cleveland Museum of Art, Ohio |
| Columbus Gallery of Fine Arts, Ohio |
| Corcoran Gallery of Art, Washington, D.C. |
| Des Moines Art Center, Iowa |
| Detroit Institute of Fine Arts, Michigan |
| Gallery of South Australia, Adalaide |
| Fogg Art Museum, Cambridge, Massachusetts |
| Hara Museum of Contemporary Art, Tokyo |
| Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
| Kunsthaus, Zurich |
| Kunstmuseum, Basel |
| Kunstammlung Nordhein-Westfalen, Dusseldorf |
| Los Angeles County Museum of Art, California |
| Louisiana Museum, Humleback, Denmark |
| The Metropolitan Museum of Art, New York |
| Milwaukee Art Center, Wisconsin |
| Musée National d’Art Moderne, Centre National d’Art Culture Georges Pompidou, Paris |
| Museum of Fine Arts, Boston, Massachusetts |
| Museum of Modern Art, New York |
| National Museum of Art, Washington, D.C. |
| Pasadena Art Museum, California |
| Phillips Collection, Washington, D.C. |
| Rose Art Museum, Brandeis University, Waltham, Massachusetts |
| Solomon R. Guggenheim Museum, New York |
| Stedelijk Museum, Amsterdam |
| Walker Art Center, Minneapolis, Minnesota |
| Whitney Museum of American Art, New York |
| Agee, William C., Kenneth Noland: The Circle Paintings, 1956-1963 [exhibition catalogue]. Houston: The Museum of Fine Arts, 1993. |
| Fenton, Terry, Appreciating Noland [exhibition catalogue]. Edmonton, Alberta: Edmonton Art Gallery, 1990. |
| Fenton, Terry, Kenneth Noland: An Important Exhibition of Paintings from 1958 through 1989 [exhibition catalogue]. New York: Salander O’Reilly Galleries, Inc., 1989. |
| Fried, Michael, Kenneth Noland [exhibition catalogue]. New York: The Jewish Museum, 1965. |
| Moffett, Kenworth, Kenneth Noland, New York: Harry N. Abrams, Inc., 1977. |
| Waldman, Diane, Kenneth Noland: A Retrospective [exhibition catalogue]. New York: The Solomon R. Guggenheim Museum, 1977. |
| Wilkin, Karen, Kenneth Noland. New York: Rizzoli, 1990. |
360° on the Wall, exhibition catalogue with essay by Paul Theroux
Contrapuntal, hardbound exhibition catalogue with essay by Matthew Collins
Circles, exhibition catalogue